This exhibition presents the last fifteen years of Medina’s work, which goes beyond the formal limits known by sculpture so threads, leaves, geometry, surface, drops, fawned paper and subatomic particles meet within a discourse making the space be the sculpture object by means of the line. Likewise, the resizing of the paper may be witnessed, in which the folding becomes a volumetric state, and the spatial sublimity is projected throughout the line and the dot, the essential elements of drawing.
